Manodharma Sangeetham Tanam & Niraval – www.kalakendra.com The hallmark of Carnatic Classical music is Manodharma Sangeetham, which is improvisation of music. It is the most unique and spectacular feature of Indian music. The true challenge of a musician lies in his ability to create and extemporize on the spot, within the framework of codified principles. Manodharma Sangeetham comprises of Raga Alapana, Tanam, Niraval and Kalpana Swaram. Tanam, which is also called Madhyamakalam is a very lively and interesting aspect of Manodharma Sangeetham. There is no specific time measure, but an inherent rhythm prevails. It is usually rendered just before the Pallavi (Ragam Tanam Pallavi or RTP) in a concert. Niraval is a series of improvisations made in a musical theme or sahithya. It is done in kritis as well as for a Pallavi (RTP). Niraval is a judicious combination of all the aspects of Manodharma Sangeetham put into one. This makes it one of the most difficult aspects of creative music. Tanam and Niraval require years of practice, listening and guidance under an excellent Guru before one can aim to perform them in concerts. This product has the maestro explaining and demonstrating a systematic approach to Tanam and Niraval, the techniques, the dos and the donts that a student must know, while attempting them. He has elucidated Niraval in different talas like Adi, Rupakam and Misra Chapu. His explanations are lucid and logical, making it simple and easy to learn. A highly
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Punjabi Folk Heer waris shah Singer: Ghulam Ali Music: Khawaja Khurshid Anwar Ghulam Ali (Urdu: غلام علی, Hindi: ग़ुलाम अली (born 1940) is a Pakistani ghazal singer of the Patiala gharana. He is not to be confused with the Indian singer Bade Ghulam Ali Khan (of whom he was a disciple) or Chhote Ghulam Ali, who is another Pakistani singer in the qawwali style. Ali was born in the village of Kaleke in the Sialkot District of Punjab, pre-partition India (now in Pakistan). He belongs to a musical family, his father was a vocalist and a sarangi player who initiated Ghulam Ali to music from his childhood. Ali’s father named him after Bade Ghulam Ali. At 15, he became a student of Bade Ghulam Ali Khan, a master of the Patiala Gharana of Hindustani music. Due to the busy schedule of Bade Ghulam Ali, he was trained mainly by Bade Ghulam Ali Khan’s three brothers, Barqat Ali Khan, Mubarak Ali Khan, and Amanat Ali Khan, in Lahore. All these distinguished classical musicians taught him the finer nuances of classical music. His solid foundation of classical music included studying Thumri and learning to sing raga. Notable Ghazals/Songs Ae husn-ae lala faam Apne Dhun Mai Reheta Hun Mai Bhee Tere Jaisa Hun Apni Tasveer Ko Aankhon Se Baharon Ka Chaman Barsan Lagi Sun Budiya Raja Chamakte Chand Ko Tuta Hua Tara Bana Dala Chhup Chhupa Ke Piyo Chupke Chupke Raat Din Dil Buk Buk Ahro Dil Jala Ke Mera Muskuraate Hain Woh Dil dhadakne ka sabab Dil Mein Ek Leher Si Uthi Hai Abhi Fasle
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