Born in the family of music lovers, Manish was introduced to music by his mother. Later on he was groomed under the able guidance of Shri VRWaliwadekar of AIR, Indore. He then continued his training under the legendary slide guitar player Pt. Vishwa Mohan Bhatt. Manish is currently under the tutelage of USTAD SHAHID PARVEZ, the famous sitar maestro of Itawa gharana. Manish is an approved artist of AIR and Television and has a Sangeet Visharad degree from Gandharva Mahavidyalaya to his credit. He has been awarded the title ‘SURMANI’ by Sur Sringar Samsad, Mumbai. He has won the first prize in Yuva Sangeet and Nritya Mahotsava organized by the SCZCC, Nagpur in 1992. Manish has also recorded for an music album ‘IN THE HOUSE OF MIRRORS’ with the French Music composer Hector Zazou and is also a part of his band ‘SWARA’. Manish has performed in various prestigious music festivals in India and abroad. Manish has traveled various cities of Spain (Europe) for his solo, and duet concerts. Manish has performed a solo concert in Clandestino festival 2010, held in Gothenburg, Sweden, and also performed in a few other cities of Sweden. He has been invited to perform at THE FESTIVAL OF INDIA, organized by ICCR, held in China, in September 2010. Manish is also a Music composer, and composed music for various advertisements, documentaries and also composed background music for a short film YEH WHO SAHAR TO NAHIN which won the National award in 1997. Manish is a Recording engineer passed …
Video Rating: 4 / 5

www.encognitive.com The Brandenburg concertos by Johann Sebastian Bach (BWV 1046–1051, original title Six Concerts Avec plusieurs Instruments[1]) are a collection of six instrumental works presented by Bach to Christian Ludwig, margrave of Brandenburg-Schwedt,[2] in 1721 (though probably composed earlier). They are widely regarded as among the finest musical compositions of the Baroque era. The inscription of 24 March 1721 on the dedication manuscript to the Margrave, attests for the date of composition for the Brandenburg Concertos, but most likely they had been written over a number of years during Bach’s tenure as Kapellmeister at Anhalt-Köthen and possibly even extending back to the period of his employment at Weimar (1708-17). The dedication page Bach wrote for the collection indicates they are Concerts avec plusieurs instruments (Concertos with several instruments). Bach used the “widest spectrum of orchestral instruments… in daring combinations,” as Christoph Wolff has commented.[3] “Every one of the six concertos set a precedent in scoring, and every one was to remain without parallel.” Heinrich Besseler has noted that the overall forces required (leaving aside the first concerto, which was rewritten for a special occasion) tallies exactly with the players Bach had at his disposal in Köthen.[4] Here is the first sentence of his dedication to Margrave Christian Ludwig of Brandenburg-Schwedt, its tone, if not its rather remarkable length, typical of dedications …
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Classic Music Concerts